design, process, research & other bullshit
- Fresh Meet

Happenstance magazine cordially invites you to sink your teeth into FRESH MEET, and see what happened when we let some of Sydney’s finest loose on a bunch of body parts.
With delicious contributions from Ben Ong, Will Loeng, Gemma O’Brien, Jin Hien Lau, Charles Dennington, Daryl Prondoso, Del Lumanta and Rebecca Murphy, FRESH MEET promises an exciting visual feast.
Come help us put the can back in cannibal from 6pm Thursday July 9, in the basement underneath the Marsu Homme pop-up store, 263 Oxford Street, Darlinghurst. Refreshments provided.
I’m sick as fuck with swine flu or some shit but I managed to finish this piece for a group exhibition this Thursday, featuring some amazin’ artists and friends, it should be fun times if I manage not to spew everywhere on the night, but I guess that’d be quite fitting. These are going to be hung by meat hooks in a creepy basement. Say hello.

Tags: i've gotta hand it to ya
- 2008 - because it’s better late than never

This image from New Years is a good indication of what all of 2008 was like.
Favourite Music
Grouper - Dragging a Dead Deer Up A Hill
Nagisa Ni Te - Yosuga
Hospitals - Hairdryer Peace
AMT - Recurring Dream and Apocalypse of Darkness
Fennesz - Black Sea
The Bug - London Bridge
High Dependency Unit - Metamathics
Andrew Coltrane - Gongs Of Violence
Josephine Foster - This Coming Gladness
Kazuki Tomokawa - Blue Water, Red Water
Les Rallizes Denudes - Eve Night
Fabulous Diamonds - S/T
Arthur Russell - Love Is Overtaking Me
Pentemple
Pagan Hellfire - Solidarity
Vajra - Live
Fucked Up - The Chemistry Of Modern Life
Erykah Badu - New Amerykah Part One (4th World War)
Soiushou No Fune - Prayer for Chibi
Islaja - blaze mountain recordings
Birchville Cat Motel - Gunpowder Temple of Heaven
Earth – The Bees Made Honey in the Lion’s Skull
The Drones – Havilah
Gang Gang Dance – Saint Dymphna
Andrew WK - The Japan CoversBest Gigs
Japanese New Music Festival - Ruins / Acid Mothers Temple SWR / Akaten @ Namba Bears, Osaka
Acid Mothers Temple and the Melting Paraiso UFO @ Club Goodman, Tokyo
Otomo Yoshihide @ Shinjuku Pitt Inn, Tokyo
Joanna Newsom & Sydney Symphony Orchestra @ Sydney Opera House
Chris Corsano @ Yvonne Ruve
Jay Reatard @ Annandale
Bumcreek / Chromedome / Knitted Abyss / Onani / Orodruin / Pagan Dawn / Polyfox / xNOBBQx @ Louie’sBest Movies
Wall-E
Wild Combination: A Portrait of Arthur Russell
There Will Be Blood
Fears of the Dark
The FallFavourite Fonts
Soho - Seb Lester
Mister K - Julia Sysmäläinen
Serrano - Kris Sowersby
Compendium - Ale Paul
Museo & Museo Sans - Jos Buivenga
Bree - TypeTogether
BLACK SLABBATH - You Work For ThemOther Highlights
Going to japan and buying underwear from a vending machine
Leaving the west & moving in with the Bed Wettin’ Bad Boys
Creating my first typeface & graduating from b design (Visual Communication) with minimal effort
Winning an AGDA award & National Youthweek (DesignIT)
Passin’ out at 1 AM on New Years
NEGLECTIN’ THIS DAMN BLOG
GETTIN’ MY SHIT TOGETHER
- ieyeayedentity
Last week I turned 22. Last week I also received my new business cards from the printers.

Logotype set in Alejandro Paul’s ‘Affair’, body type in ‘Minion Pro’
Eye am me.The moniker ‘ieyeaye’ is taken from an album by Rahsaan Roland Kirk, a blind avant garde multi-instrumentalist who was known for playing 3 saxophones at once. I’ve always been a fan of jazz, especially the more improvised and experimental side of it, and Kirk’s ‘The Inflated Tear’ is probably one of my favourite records of all time. In “Bright Moments : The Life and Legacy of Rahsaan Roland Kirk (2000)”, Kirk is quoted to have said “That’s what freedom’s all about learnin’ somethin’ then throwin’ it away.” I can’t play the sax, nor will I ever reach his amount of talent - but, like Kirk, I believe that this way of thinking also encompasses my own design process where freedom, expression, experimentation and improvisation is valued most – and anything and everything goes.
Tags: business cards, personal brand
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